Imporatance of 3 Period Name Lesson Essay Example for Free

Imporatance of 3 Period Name Lesson Essay For the purpose of giving a clear perception of an idea in association with language, Montessori advised that the â€Å"three period lesson† of Seguin should be used. The periods are: 1st period: â€Å"The association of the sensory perception with the name†. Example: Give the child a large and a small cylinder and say â€Å"this is large† and â€Å"this is small. † 2nd period: â€Å"Recognition of the object corresponding to the name. † Example: Ask the child to indicate which is the large cylinder and which is the small cylinder. rd period: â€Å"the remembering of the name corresponding to the object. † Example: show the child the large cylinder and say â€Å"what is this? † then show him the small cylinder and say â€Å"what is this? † The 3 period name lesson is very useful because it is very simple and very clear for the child. Furthermore the teacher does not ask the child to actually name the object until she is sure he can recognize it. The importance of the three period lesson cant be underestimated. This tool can be used anywhere. In the classroom we use it to introduce letter sounds, number values and symbols, continent names, plants and animals, but it is not limited just to the classroom. It can also be used in the playground, in the kitchen, at music lessons, even at the super market. It can even be used to introduce object names in a second language. There is no limit to how this lesson can be used because, under the right circumstances, there is no limit to the amount of information a child between the ages of 3 and 6 is capable of absorbing. The real beauty of the three period lesson is that it allows Montessori teachers to meet each child exactly where they are. In other words, the technique allows the children as much time as they need to learn each new concept some children will absorb a concept quickly and only need the lesson once or twice while other children may want to be given the lesson many times until they are confident enough to move on.

Perceptions in Matthew Arnolds Dover Beach Essay -- Matthew Arnold Do

Perceptions in Matthew Arnold's Dover Beach Matthew Arnold’s â€Å"Dover beach† describe the way in which perceptions are mislead society. The use of metaphors, symbolisms, allusiveness, technical quantities, and imagery assist the speaker’s thought regards between what is seen and what is real. Dover beach was written during Victorian era. Which brought civilization based on industry, value and money. This is the time which people start questioning the existence of God. The speaker observed the plight of Victorian era. And he sought an answer to the problems which he and world faced with. Arnold express the dejection of lost civilization, anticipate its future, and try to acquire its solution The speaker begins straightway with visual and auditory imagery when describing â€Å" the sea is calm†. This image implies that there is a life out there but it is smothered by darkness. And the cliff is sparkling in the moonlight. The speaker invite his companion to â€Å"come to the window† (line6) to see the night air. He says this as the unending wave come in and go out back out again. His emotion bring feeling of sorrow. The speaker says even Sophocles a great Greek philosopher of the past heard his eternal sadness. The sea is coming in and going out. He thought of its like the struggles with life constant demand. The uses of metaphor when he call the faith of all people â€Å" the faith of the sea†(21). He says the world used to be full of faith. But now the speaker no longer believes that the world is in full of faith. He hear the wave but he only feels sorrow. So he need his loves’ for reassurance that everything will be all right, that he ca n trust her completely. However the tone underneath prevent hem to believed that. The poet is comparing the world in which we live to the perfect life we want to have. Finally the speaker says with out peace, love, and joy the world contain no goodness and uncertainty. Since we have no faith in God, we must have each other with war and darkness approaching. The theme that you must have faith in someone if not in God to help deal with the difficulties our world can create. In â€Å"Dover Beach†, Arnold uses an exquisitely calm ocean filled with tension to present a position of appearance verses reality. â€Å"Dover Beach† is about a beautifully calm sea, although when looking underneath the surface, it is a world full of hidden turbu... ...man did not, as the churches claimed, have a privileged place if earthly creation, as the image of God, but was merely part of an age-old biological process of the survival of the fittest. Rather than being a little lower than the angels, man was somewhat more developed than the ape. The theory was devastating and destroyed the Christian vocations of many. Perhaps the best way for the modern reader to gain some sense of the impact of this experience is to go to the poetry that grew out of the loss of religious belief Arnold’s plead is also his solution to a world of confusion and chaos. he believes, or optimistically wishes he could believe, that he can take refuge in an internal peace between him and his lover. By saying this, Arnold must believe there is no hope for civilization, and no solution to its problems. On a darkened plain the people cannot truly see what is going on, which draws back to Arnold’s idea that people of the Victorian Age acted without reflection. The darkness is caused by a chaotic world where truth is blind to those who look on it, and the people who look upon the world do not reflect on what they see. Thus, the darkness is attributed to confusion

Renaissance Artemisa Gentileschi Essay

My idol of the Renaissance period is the famous woman artist named Artemisia Gentileschi. She was born in Rome on July 8, 1593. Her father was a well-know Roman artist named Orazio Gentileschi and my mother was named Prudentia Monotone. She died when Artemisia was twelve. Most women artists in this post-Renaissance era were limited to portrait paintings and poses. She was the first woman to paint major historical and religious scenarios, such as her painting, Judith Beheading Holofernes, c. 1620. At an early age she experienced loss. Two of her brothers died during childhood and her mother died while giving birth. Showing some artistic skill, Artemisia received some early training from her father. After art academies rejected her, her father hired his friend, Agostino Tassi, to teach her. In 1612, she was sexually assaulted by him. The trial was seven long months. Artemisia was tortured with thumb screws in order to make her tell the truth of her claims. He was ultimately convicted, but Artemisa had a tarnished reputation after. She had been publicly humiliated and was severely criticized then and in her life forward. Artemisia’s first painting was named, Susanna and the Elder, c 1610. She was seventeen when she painted it. Michelangelo had a major influence on her style. The painting depicts the biblical story of Susanna, a young wife who was sexually harassed by the elder of her community. She shows her as vulnerable and frightened, while the men are conspiring behind her. This painting was completed before the rape, but it might be a depiction of the harassment from Tassi. The trauma of the rape impacted how she painted; she often painted graphic depictions of people dealing with pain. In 1612, she came to Florence, Italy where her father arranged for her to marry a Florentine artist name Pietro Antonia di Vincenzo Stiattesi. They became official members of the Academie del Disegno (Academy of Design) in 1616, which was a prestigious honor for me, a woman. Her first child, Giovanni Battista was born in September of 1613. Her second son, Cristofano, was born in November of 1615. Her husband is starting to prefer gambling over working. They are in much debt. In August of 1617, she gave birth to a daughter named Prudentia; sometimes called Palmira. She continued to live with Pietro even though it was loveless. He left me 10 years later. She had a second daughter in October of 1618, but she died in June of 1619. It was a difficult time and unbeknownst to Artemisia, they are even in more serious debt than I had originally thought. In 1621, she returned to her hometown in Rome as ordered by Cosmo II de Midici. She was supposed to return in order recover from an illness and her family problems. She also spent time in Venice from 1627 to 1630. She never returned to Florence. She went to Genoa for a short time with her father and painted, Jael and Sisera. Some of her patrons while back in Rome were cardinals Francesco and Antoni Barberion, both wealthy and influential prelates. By 1630, she moves to the city of Naples. Charles I of England and the Duke of Modena also purchased her paintings. Naples was the wealthiest city in southern Europe at this time. She also worked in England for a while beginning in 1638 where her father had a position at the court of Charles I. She returned after her father death in 1639. As noted above, her most famous painting, Judith Beheading Holfernes, illustrated an event from the Old Testament Book of Judith. Holofernes, the Assyrian general, was preparing to destroy the land of Judah. Judith then goes to a maidservant, Abra, to the Holorenes’ camp. She poses as a deserter from the Hebrews. Judith seduces him with her beauty, gives him alcohol, and then severs his head! After her death, her grave marker was lost during church renovations and the inscription on her headstone, rather than mentioning her artwork, remembered her sexual scandal instead. In time, Artemisia was often forgotten about in the Art world and her paintings were often wrongly attributed to her father or other artists. Centuries later, renewed interest in Artemisia uncovered her story, properly attributed her work and finally restored her reputation as one of the world’s most important female artists and a major artist of the Italian Baroque period. Gentileschi often chose historic and biblical subjects that featured a female protagonist: Susanna, Bathsheba, Esther, Judith. Her style was heavily influenced by dramatic realism and marked contrasting light and dark of Michelangelo Merisi da Caravaggio (1573 – 1610). The first book devoted to her, Artemisia Gentileschi – The Image of The Female Hero in Italian Baroque Art. by Mary D. Garrard, was issued in 1989; her first exhibition was held in Florence in 1991. A TV documentary, a play, and more recently, a film have advanced her visibility as an important artist. As noted above, Artemisai Gentileschi, was inspired to paint by her father and by famous artist Michelangelo Merisi da Caravaggio. Today she is regarded as one of the most progressive and expressionist painters of her generation. After moving back to Rome French artist, Pierre Dunostier le Neveu, made a drawing of her hand holding a paintbrush. She along with her father were one of many artists invited by King Charles I of England to decorate the ceilings of the Queen’s house in Greenwhich. I am inspired by her because she chose to stand up and compete against the men of that time. Woman of that era had such difficulties trying to gain recognition for their work. She is one of the first women who eventually overcame adversity. Her technical skill showed human emotion from a â€Å"woman’s† perspective which some say is a breakthrough in art. In the words of Mary D. Garrard, she â€Å"has suffered a scholarly neglect that is almost unthinkable for an artist of her caliber.† [pic] Susanna and The Elders c 1610 [pic] Judith Slaying Holfernes Cited Work http://www.artbible.info/art/biography/artemisia-gentileschi http://www.artemisia-gentileschi.com/index.shtml http://en.wikipedia.org/wiki/Artemisia_Gentileschi http://www.themasterpiececards.com/famous-paintings-reviewed/bid/31786/Female-Artists-Artemisia-Gentileschi

The Common Causes Of Of Breast Cancer - 1104 Words

Breast cancer is one of the most common causes of death in women worldwide and statistics reveals that India ranks top in the world in breast cancer deaths. This alarming fact necessitates early detection and treatment of the disease. Development of automated systems to process and analyze regional breast cancer data would help the medical experts to understand the severity of the disease and the nature of the patient population. Most of the Medical reports in India are hard copies with natural language descriptions. Processing natural language text has many challenges as it requires handling of varied reporting formats, language style, and diversified representation of facts within the content. A few specific processing requirements†¦show more content†¦Even if limited data are available for processing as in this work, developing an automated system for the medical domain necessitates frequent and extensive support from medical experts for meaningful implementation, analysis and inference from the results. The corpus used in this work is a set of breast cancer pathology reports obtained from a hospital in South India. The parameters – Tumour (T), Lymph node (N) and metastases (M) were extracted from the natural language text and the cancer stage of patients (S) was derived in the earlier phase of this work. In the work presented here, the presence of a list of malignant and benign conditions in patients is extracted from the text. The list of conditions was derived from standard medical documents, in consultation with the domain experts. The Gold standard values to evaluate the extraction process were obtained through manual scrutiny of the reports by the Pathologists. The system compares the extracted data with the Gold standard values, to derive the evaluation parameters namely Precision, Recall, Specificity and Accuracy. In the past, data mining approaches have been applied to the medical domain, especially on breast cancer data because these approaches are effective for classification and prediction of breast cancer-related parameters. As part of this work, EM (Expectation-Maximization) algorithm and Simple K-Means algorithm are used to cluster the extracted data on patient status (Malignant / Benign)